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Nau mai, haere mai, welcome to eyeCONTACT, a forum built to encourage art reviews and critical discussion about the visual culture of Aotearoa New Zealand. I'm John Hurrell its editor, a New Zealand writer, artist and curator. While Creative New Zealand and other supporters are generously paying me and other contributors to review exhibitions over the following year, all expressed opinions are entirely our own.
Online art debate
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- Bath St
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- Brett McDowell
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- Christchurch Art Gallery
- City Art Rooms
- City Gallery
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- Culturehall
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- Dunedin Public Art Gallery
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- Ferner
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- Gambia Castle
- George Fraser
- Gore
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- Gow Langsford
- Gus Fisher
- Hamish McKay
- High Street Project
- Ivan Anthony
- James Wallace Trust
- Jane Sanders
- Janne Land
- Jensen
- John Leech
- Jonathan Smart
- Litmus
- Lopdell House
- Mark Hutchins
- Marsupial
- Mary Newton
- McNamara
- MIC Toi Rerehiko
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- NEON PARC
- Newcall Gallery
- Objectspace
- Oedipus Rex
- Page Blackie
- Paint Lust
- Pataka
- R.103
- RAMP
- Robert Heald
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- Satellite
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- St. Paul St
- Starkwhite
- Sue Crockford
- Suite
- Te Papa Tongarewa
- Te Tuhi Centre For The arts
- The Engine Room
- The Physics Room
- Tim Melville
- Two Rooms
- Waikato Museum of Art and History
- Webbs
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Reader Participation
This site wishes to encourage spirited debate about Aotearoa's art and visual culture. Readers are invited to respond to reviews and ongoing conversations by leaving comments or posting new critiques.
To make a comment please display your real name - both Christian and surname - and register under a free Google account. After you've filled in the details on the first page, click to the following one but instead of filling in blog info come back to this site.Then find the post you want to comment on, and click on 'comment' at its bottom. Write out or paste your comment, do the word verification puzzle, and where it says 'user name' put in your email address above your password.
Any queries about the reviews on this site, especially those of Auckland, please email me at mungo1@xtra.co.nz .
My insistence on proper names is to minimize personal abuse, waffle and shameless self-promotion. I ask contributors also to avoid offensive language and gratuitous sexual terms, not for any reasons of moral high ground, but simply because of pragmatics. I want the site to be welcoming as an educational resource so it can increase its audience.
eyeCONTACT is about you looking at this screen and art that is usually visual. It is also about direct talk, perhaps two people speaking face to face, one of them asserting an unpopular position and staring down the opposition.
Although it talks of commitment and being serious, the site is not actually about being right or wrong. Rather this forum is about the pleasures of debate and participating in dialogue. It is about the joy of articulating thought and responding to stimulating company.
Blog Archive
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2010
(113)
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February
(27)
- The International Arts Festival at The New Dowse: ...
- Mark Amery tells us about Jeremy Diggle’s current ...
- Bringing It All Back Home: Part Two
- Bringing It All Back Home: Part One
- Pauline Dawson
- Hi readers. I'm going down to Wellington for three...
- History seeking reconnoitres and sorties
- Paula Booker assails yours truly
- Jodie Dalgleish has some observations about the ne...
- Stephen Cleland has put together a new show for Te...
- Here is a review of a 'sound related' exhibition a...
- Jeena Shin's stairwell wall
- Watkins video and sound piece at The Film Archive
- Leatinu'u at Te Tuhi
- Simon Glaister on the review
- Urban panoramas from Shanghai
- Here is an article from Yasmine Ryan, a Kiwi freel...
- When outside is in and inside is out
- Witty group exhibition
- Stephen Clover and Lil on
- Jensen group show
- Kim Finnarty comments on the
- Hoist that rag
- Anthony shows Graham
- Weighty sculpture nicely grouped
- Kate Brettkelly-Chalmers recently visited Sriwhana...
- Here is an edited talk Martin Patrick recently gav...
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February
(27)
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